Daniel Kramer to step down as ENO artistic director

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English National Opera (ENO) has announced that Daniel Kramer is to step down from the role of artistic director at the end of July 2019 in order ‘to focus on directing more opera and theatre full time’.

He will continue to work with ENO until the end of 2019, as Artistic Consultant, to oversee the Orpheus series of four operas. In order to ensure a seamless transition for the rest of the 2019/20 season, and as ENO plan up to the 2021/22 season, Bob Holland in his role as Associate Artistic Director will continue to work closely with Martyn Brabbins, ENO music director, as well as with the rest of the artistic team.

Stuart Murphy, CEO, ENO said:

‘I have loved working with Daniel as Artistic Director from day one. His continual desire to push for distinctive creative is hugely admirable, and his energy, sense of humour and passion for bringing new stories to life and nurturing new talent has been completely contagious.

‘His seasons have been marked by a huge mix, from the Olivier nominated Turn of the Screw at Regent’s Park and Paul Bunyan at Wilton’s Music Hall, the Olivier Award winning Porgy and Bess, to SalomeIolanthe, and The Merry Widow, to the world premiere of Jack the Ripper: The Women of Whitechapel. Daniel’s War Requiem was a beautiful and stately reflection on the horrors of war, and deserves all of the accolades that it has received to date.

‘He leaves with the very best wishes from everyone at ENO.’

Martyn Brabbins said:

‘Collaborating with Daniel has been an enormously rewarding and fruitful experience. I wish him all the good luck for the future and look forward to working with him again in the autumn on Harrison Birtwistle’s The Mask of Orpheus – a project that we are both passionate about. The season ahead has a huge breadth and depth of work, and I continue to be excited for the next chapter for ENO.’

Daniel Kramer said:

‘I am proud to leave ENO after a season that has broken box office records, innovated and challenged, while delivering commercial success. We have recruited thousands of new, diverse and young audience members, and over-achieved our year box office target, delivering on our promise to provide “Opera for All” and reflect the diversity of our culture. I am particularly proud that the work we initiated outside the Coliseum has been such an equally resounding success with numerous 4 and 5 star reviews, awards and nominations.

‘I am looking forward to continuing my relationship with ENO, overseeing the Orpheus series I commissioned, as well as directing Birtwistle’s The Mask of Orpheus. Stepping back will allow me to focus full-time on my 2019/20 freelance directing commitments of La boheme and Nixon in China in Europe, and War Requiem in Taiwan. Never has an experience been more fruitful, more demanding, nor more clarifying to my beliefs as an artist. I thank everyone who crossed my path at ENO and wish Stuart, Martyn, the Board and everyone at ENO the absolute best in this new chapter.’

 

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