Composer and multi-instrumentalist, John K Miles, introduces his ongoing project with City of London Sinfonia for children and young people with mental health issues In March 2015,… Read more
Rachel Clare introduces the UK-based choral charity working with people affected by homelessness Ever wondered why you feel so good after belting out Bohemian Rhapsody or why hitting the… Read more
Blog: Music Excellence London Teacher Advocate and Director of Music at City of London School for Girls, Steven Berryman
Guest blogger, Steven Berryman, has worked on a wide range of collaborative projects involving schools, venues, charities and other education providers. Here, he outlines his formula for… Read more
The mission of Global Arts Learning Action is to encourage and enable lower income countries to place arts learning at the heart of their education systems, and… Read more
Struggling against the tide of austerity cuts, music education in Wales is fighting to keep its head above water, but a new raft of measures is offering… Read more
When I was asked to contribute this article, I set out to present an overview of myself and my career over the last thirty years – however,… Read more
As music services and hubs across the UK struggle to provide tuition on ever-squeezed budgets, a flourishing Irish initiative backed by U2 is kicking down the financial… Read more
Anita Holford and Dyfan Wyn Owen find out if young people are being short-changed by genre bias in music education We live in a century that’s rich… Read more
How can we do more? A simple question led to a US music conservatory’s change in mission and a legion of students ready to lead the charge.
While technology in the classroom isn’t a magic bullet, the benefits can be enormous argues Music Technology Editor, George Hess.
Long before the phenomenon of the office choir was hijacked by prime-time entertainment TV, it was a team-building tool that bonded, networked and even changed lives. Karen Stretch speaks to three musicians who are still passionate about the power of musical harmony in the workplace.
With an ever growing push on women’s rights, workplace equality and the relentless tide of revelations from the #metoo movement, you’d be forgiven for thinking the Festival of Voice 2018 is a knee-jerk reaction. In fact, they got there first, as Karen Stretch discovers.
Our Music Technology Editor, George Hess, suffered from Gear Acquisition Syndrome at the Winter NAMM show in Los Angeles, which took place in January 2018.
Co-founder and Director of the Grand Union Orchestra, Tony Haynes, argues that – in the fast-changing demographic of Britain today – migrant and migrant-descended musicians can and should… Read more
Creating a building identity for a conservatoire of the future: Thomas Matthews on the Royal Birmingham Conservatoire
Thomas Matthews recently worked with the Royal Birmingham Conservatoire to develop a signage and wayfinding experience for its £57 million new home. Here, the communication design agency explains what goes into creating a bespoke building identity.
In 2017, a unique music project for girls and women, Girls Rock London (GRL), received investment, mentoring and support from Sound Connections’ Innovate programme. The funding enabled GRL to centre the voices of young women in the design and facilitation of its work and to act as mentors during its Summer camps, Camp Co-ordinator, Geraldine Smith, explains.