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Composing Artemisia: creating alternative female archetypes in new opera
The composer Susannah Self advocates for 'an alternative operatic paradigm in which female characters are defined…
Artificial intelligence and music — what the future holds?
Research in artificial intelligence is known to have already impacted and affected many major industries, and the…
ACE Director of Music Education: National Plan recommendations
Hannah Fouracre, Director of Music Education at Arts Council England, reflects on the challenges and opportunities…
DfE consultation: music must be properly integrated within the curriculum in every…
Music should be taught to all children in the same way that every other National Curriculum subject is taught – by…
Why the music sector should celebrate National Apprenticeship Week
Oliver Morris, UK Music's Director of Education and Skills, introduces three new apprenticeship opportunities for…
Why education needs hip hop
For Seattle-based educator James Miles, hip hop is more than a style of music – it’s a global youth culture.
Promoting social inclusion through the arts in Hong Kong
No Limits, co-presented by The Hong Kong Jockey Club Charities Trust and Hong Kong Arts Festival, aims to bring…
Royal wedding cellist calls for action on diversity in music
'I’ve benefited from having so much music education... and the thought that lots of people won’t have something!-->…
Mental Well-Being Guaranteed – the Music in Africa Conference in Accra, Ghana
From 28-30 November 2019, the Music in Africa Conference for Collaborations, Exchange and Showcases (ACCES) took…
Old Musicians Never Die. They Just Become Holograms
A fascinating article by Jeff Minton in The New York Times about holographic performers. Just imagine the…